MOCRA’s current featured exhibition is Georges Rouault’s complete Miserere et Guerre. It’s a handsome installation that leads viewers in a snaking path through the museum, from the south side aisle through the nave and across to the north side aisle. (See an installation view in yesterday’s post.)
Along the way, however, visitors also have the opportunity to view a number of works in MOCRA’s side chapels, drawn from the MOCRA collection or in a few cases, on extended loan. They include two perennial favorites of MOCRA visitors:
Jeff Miller‘s Holy Spirit (1993) allows its simple, found objects to assume strongly evocative meanings. This Spirit is not a gentle dove but as a strong, forceful eagle. The chair recalls the seat of wisdom, a gift of the Spirit. Chalk lines suggest a true path from which one should not stray. Overall, the interaction between the work’s vertical and horizontal reflects the descent of the Spirit into human activity. But despite these rather grand associations, the work exudes the playful, wry charm characteristic of Miller’s work.
Bay Area artist Donald Grant‘s Vessel (1992) never fails to grab viewers’ attention. The work consists of a painting to which is adhered a large pane of shattered safety glass. Grant has worked the painting beneath the glass as well as the glass itself. Many of the arching lines have been ground into the glass, and the glass explodes at the point where the vessel receives whatever is being poured into it. (The picture does not do justice to the refractive splintering of light scattered from the thousands of cracks in the surface.) Epiphany, destruction, vulnerability, receptivity, transformation—all of these are associations mentioned by visitors.
Other artists whose work is on display include: Seyed Alavi, Peter Ambrose, Romare Bearden, Michael Byron, Steven Heilmer, Bernard Maisner, Chris McCaw, DoDo Jin Ming, James Rosen, Susan Schwalb, and Shahzia Sikander. And of course, the large works by Thomas Skomski and Michael Tracy remain on view in the sanctuary and choir galleries, respectively.
— David Brinker, Assistant Director