Museum of Contemporary Religious Art

February 23, 2010

“Good Friday” comes to “America”

Cover of America magazine, Mar. 1, 2010MOCRA’s exhibition Good Friday: The Suffering Christ in Contemporary Art, is featured in the March 1, 2010 issue of America magazine. The article by MOCRA Director Terrence Dempsey, SJ, titled “Lenten Mysteries: Perspectives on the Passion in contemporary art,” can be read online here.

In the article, Fr. Dempsey discusses why Good Friday has returned to MOCRA, and explores the ongoing relevance of the image of the suffering Christ for contemporary artists and viewers.

What is your reaction to the article? Do you agree that the image of the wounded Christ is still relevant? Have centuries of use denatured its power, or strengthened it? Have other images perhaps superseded it? Please share your thoughts with us.

— David Brinker, Assistant Director

October 29, 2009

Reflecting on “Good Friday”

It is gratifying to report that an article I wrote appeared in the Fall/Winter 2009 issue of Aquinas Institute of Theology‘s Signatures magazine. (In the interest of full disclosure I must note that I am presently in graduate studies at AI.) You can find the article online here (it begins on page 9 of the PDF file).

I was invited to write on the intersection of art and religion, drawing on my experiences working at MOCRA. Had I been asked a year prior, I would probably have written generally about the museum’s mission and the ground we’ve covered in our exhibitions. But coming on the heels of MOCRA’s Good Friday exhibition, I knew just where I wanted to go with the article.

“The Presence of God in Art” describes the power that Good Friday held for several groups who engaged with the art as a form of theological reflection and prayer. Over the course of almost 15 years I have given presentations to dozens of groups of all ages and from all walks of life. Often the observations made, and the discussion they spark, can be quite revelatory, both about the work of art at hand and about the people making the remarks. However, there was a marked difference with the group discussions that took place with Good Friday.

An explicit invitation to approach the art in an attitude of meditation or prayer seemed to unlock a door for a number of our visitors who, even in a group setting, were willing to make themselves quite vulnerable in sharing their reflections about the art. These discussions also left me feeling more exposed than usual in my role as docent/moderator, both in receiving the visitors’ observations, and in leaving my accustomed “neutral” stance regarding the work to express more openly some of my personal responses.

I invite you to read the article and share your responses. For instance,

  • If you saw the Good Friday exhibition, did you experience responses similar to those I describe in the article?
  • Does the idea of approaching art this way leave you feeling ambivalent or even opposed?
  • Could (or should) something like this take place in a “public” art museum?
  • Or do MOCRA’s particular mission and setting on a university campus give us latitude to do things other institutions can’t safely attempt?
  • Given that Good Friday has a clearly Christian point of departure, and that the groups I described were coming from a standpoint of Christian faith, is this sort of exhibition and approach to art transferable to art from other faith traditions?

You might reply to this post, or you can e-mail me through MOCRA’s website. If I receive enough interesting responses, I’ll incorporate them into a future post.

— David Brinker, Assistant Director

March 17, 2009

We’ve been busy: Part 1

It’s been another busy stretch at MOCRA. The response to Good Friday has been tremendously positive, with a higher-than-usual number of groups scheduling visits. We’ve also been busy with two projects:

MOCRA's "Good Friday" booklet

MOCRA's "Good Friday" booklet

The first, supported by a grant from the VOICES project at Saint Louis University (funded by the Lilly Endowment), is a booklet of reflections on the artwork in Good Friday for use by visitors who wish to approach the exhibition in an attitude of meditation or prayer. The booklet takes a different approach from our wall texts/didactics. While those provide relatively “neutral” information about the iconography of the work or the artist’s expressed intent, the booklet explicitly puts the works in a (Christian) faith context. You can see a sample page on the MOCRA website.

This is something we’ve been interested in trying for a while now — bridging art appreciation with theological reflection and catechesis (religious education) — and this exhibition presented an excellent opportunity to experiment. So far feedback has been encouraging.

The challenge ahead will be to develop similar resources for future exhibitions (which may not have such clearly religious themes) and for visitors of other faith traditions. Also, we will be exploring what sorts of activities are “appropriate” in a museum setting–either sponsored by the institution, or simply permitted?

We’d welcome feedback from our blog readers. If you would like a copy of the booklet, send us a message with your snail mail address and we’ll send one your way.

[contact-form]

–David Brinker, Assistant Director

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